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Month: August 2007

Actor’s Dramaturgy

Actor’s Dramaturgy

The developed actor’s dramaturgy is different in nature from that of the script. Words are meant to be spoke, spat, sung, and danced in theatre, not written and read. Yet the written/read text, the play, has evolved into the author(ity), the alpha and omega, of most theatre produced in this country. Ice Cream for Breakfast Whenever I dwell for any length of time exclusively in the physical study of performance, a strange third eye opens. The body returns to its…

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Theatre Without Borders

Theatre Without Borders

I’m off to butoh study for the next couple weeks in the boondocks of Germany northeast of Berlin. Gaby will be guest blogging at Rat Sass. Gaby is producer of the New York Butoh Festival. She is also in the process of forming a NYC based international theatre company stemming from her current project with an ensemble of German and American theatre artists. Interesting to note that 36% of the city’s population is foreign-born. Couple this with the city’s other…

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The New York Aesthetic?

The New York Aesthetic?

Scott, with assistance from Mac, has successfully beaten the dead horse to death again. Six weeks ago in a post I characterized the meme that animates the hoary horse’s life-like twitching at its ritualistic floggings. “In historical retrospect we know that many of the urban v. rural and North v. South tensions of the American Civil War were still erupting during the Tombstone era in 1880. Interesting how this is only slightly different in species from the New York v….

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