Subtext to Text
I have noticed that I am beginning to develop a new relationship to blogging. I am finding my comment writing in others’ blogs just as challenging, if not more so, than the writing of my own posts.
I have taken partial lead on this from Mac Rogers. The SlowLearner is also slow on blog postings but he is often present in comment sections of the theatrosphere with his pointed questions.
I have been thinking of the comment sections of the theatrosphere as the subtext to the hyperlink exchange of blog posts.
“Subtext can be a way for the creator of a work to relay ideals, principles, controversial relationships or political statements without alienating viewers or readers who may balk at the ideas or even reject the work.”
For some time now, I have been exploring the theatrosphere as a “fictive reality” that contains both a Rat Sass persona and the “real” nick, as much as the real Nick can actually present himself. In the comment sections of other blogs, my persona shifts slightly, like a chameleon altering skin color to blend into its environment.
So I find myself writing and editing my comments more deliberately in belief that the “real” conversation of the theatrosphere is being propelled and directed from there.
The below is my recent comment at Angry White Guy that feels like a bookend to a long conversation thread I have been participating in, and often instigating or reviving, through various comment sections. It began at Don Hall’s review of a Greyzelda production, traveled over to Praxis, then over to Trailing Spouse Blues, back to the big brawl at Don’s again, then a post at Rat Sass, and then another one. If you look at the dates of these posts and comments you will discover that this conversation has been going on for over a month now. I admire and appreciate both Rebecca and Don for their stamina. It must have been emotionally trying to be constantly thrown into the defensive as the subjects of this important discussion.
Punk Ethos and Writing
…but in the world of punk, if it sucked, you got punched in the face or had a beer bottle thrown at you. In this FaceBook Nation of ours, the call for more civility and more constructive approaches is exactly the opposite of a punk ethos.
Exactomundo. And the punk zines were part and parcel of that ethos which led the way to the zine scene of ‘80’s with its aggressive and belligerent style of writing. The zine movement segued into the argumentative writing and discussion found on Internet listservs of the ‘90’s. All of which leads to the blogosphere. What people call “snark” today is actually the nth generational manifestation of this alternative zine writing style.
Those bloggers calling for more civil or politically correct talk are often Johnnies Come Lately to writing; their blog is their first attempt to actually write anything other than their very proper high school or college papers. But writing school papers was work. So instead of writing, blogging has become more like transcribed talk. This discourse style believes that just by keeping its schoolboy etiquette, its patter will somehow be elevated into something of value. But there is a vast difference between spewing out one’s opinions and honing one’s thoughts into ideas that could impact on the mindset of a reader. So the Snarkless Marks’ antagonism to an uncivil tone is also their envy of any crafted or edited writing.
Blog posts/comments are as public as our art is, but generally the writing is treated cavalierly…“throwing in my two-cents” on this or that “Question of the Day.” Such pandering to one another for innocuous comments effectively lowers the common denominator of exchange and is infinitely more destructive than any “discussion tone.” So it’s no wonder that anytime anyone actually attempts to write in the theatrosphere with deliberation to create effect (as most of us actually attempt to do with our art) an episode of Sturm und Drang is likely to develop among the chit-chatters.
The relationships in these social networks in FaceBookNation (including the theatrosphere) are based on weak ties when compared to peer production. We give no quarter when practicing our art, demanding full passion and commitment from collaborators. If we practiced blogging with just a fraction of the ardent assurance we practice theatre, every day we would rehearse yesterday’s text, honing out our dishonesties and trivialities, not our incivilities.
Comment by Nick Keenan
May 27, 2008 @ 10:32 am
Okay. Aggressive belligerence. Fine.
The thing that is frustrating about what you’re saying here and elsewhere, Nick, is that you’re assuming that the theater practitioner’s purpose in starting a blog is to hone their writing skills so that they can become better writers. That’s not the case, more often than not. It may be fine that you’re trying to shape reality here into some kind of parody, making your blog posts the show. That’s great for you, but it entirely misses the point for me. Weak, passive-voiced, chit-chatting little me.
The purpose of an online conversation for me is to get exposed to new ideas, ideas that are already outside of my comfort zone for their sheer alien-ness. We agree: that’s good for theater, and it’s good for writing. It’s good that I read your parodies. But to add conflict and ridicule to that mixture of exposure is counter-productive. It’s a poisonous overdose that does damage and prevents real development.
If you’re really honing your work as deeply as you should be, how in the world are you supposed to have stamina to hone a well-crafted blog post after you exhaust yourself in rehearsal? To say nothing of joining an unreasoned fray in the name of your beliefs? Reading theater blogs for me is one kind of reality check that I have in my arsenal, like a talkback for the process with dare I say a focus group. The alienness always hurts a little bit. It keeps things tender. I see if the work that I do during the day can be useful to others. It’s often not. Fine. That’s the sum total of my use for blogging. It’s not about honing writing skills. I do that in front of a real audience, because I’m not writing a dystopian novel here.
So yes, we’re using this conversation to push forward agendas that have nothing to do with each other. Isn’t it better to live and let live, leaving unnecessary conflict out of the equation and get what we want done? This isn’t life and death politics and public policy here. It’s small-time, local in a fashion, and everyone knows it.
I’m not going to call it a ‘civil’ blogging environment, because that’s your characterization – good threads are exciting and explosive, not civil, but they aren’t piranha feeding frenzies, either. I also value sharpening the ideas from time to time, but more important to me is the freedom to practice the “Yes, and…” principle: you don’t take the piss out of someone’s half-baked idea, you push it forward in a better direction. Then they’ll want to bake their ideas ALL the way next time.
I spend 20 hours during the day honing my real craft – sound, web applications that help theater artist’s lives and careers, and developing new works with my theater. Writing blog posts isn’t a skill I have time to hone, and I don’t make airs that it is. My craft is collaboration and connection. I want that last half hour a day that I spend trading notes with strangers like you to be rich, not a time-suck argument. I want online cooperation to have momentum. If that makes me a PR clique, so be it.
The voice you’ve crafted on your blog is fascinating and sharp. I grant you that. It might make great meta-theater, if that’s what you’re after. But it’s possible to craft a backwards argument into one that sounds more true than it is because it’s just such a sharp skewer.
I’ll unfairly reframe your censorship thread here as you’ve unfairly reframed say, Mac’s or RVCBard’s desire for a conversation with less volume. How is what you’re saying helping theater and these younger theater artists evolve? How does your loose lips sink ships parody do anything but degrade the neophyte who is learning and training and getting their bearings in the world? How grade-school a tactic is comparing someone’s language to that of the SS or the McCarthyites to vilify them? Do you really believe that you’re helping them by slapping them down? You had an opportunity to teach here, and instead you chose to show off at the expense of potential students.
If you want to use the theatrosphere to cultivate your character of the patronizing misanthropic old punk, that’s your prerogative. But you’ll need to keep those comments flying if you have any aspirations at relevance. A punk who blogs like an academic, for crying out loud. What would Sid say? Oi.
Here’s the actual shame that I see here – you have great skills at creating and shaping myth to make a point. I invite you to use your power for someone else’s good, not self-congratulatory pride. Or is that all you believe in on the blogosphere?
And if you want to get me where it hurts, come see a show that I designed and tell me it sucks. That’s my real work. And I’ll take that criticism.
That’s my $0.02. What do you all think out there?
LOLROTFL