{"id":117,"date":"2008-04-22T08:29:27","date_gmt":"2008-04-22T13:29:27","guid":{"rendered":"http:\/\/ratconference.com\/blog\/?p=117"},"modified":"2008-04-22T08:29:27","modified_gmt":"2008-04-22T13:29:27","slug":"guillermo-gomez-pena-in-new-york","status":"publish","type":"post","link":"https:\/\/ratconference.com\/blog\/?p=117","title":{"rendered":"Guillermo G\u00c3\u00b3mez-Pe\u00c3\u00b1a in New York"},"content":{"rendered":"<p align=\"left\">Somewhat under the radar, internationally acclaimed brujo-poeta, theorist, and performance artist Guillermo G\u00c3\u00b3mez-Pe\u00c3\u00b1a returns to New York for two evenings.<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ratconference.com\/ratsass\/gomez-pena.jpg\" alt=\"gomez-pena\" height=\"639\" width=\"452\" \/><\/p>\n<p>The Hemispheric Institute of Performance and Politics and el Museo del Barrio present two evenings featuring Guillermo G\u00c3\u00b3mez-Pe\u00c3\u00b1a. After more than four years away from New York, G\u00c3\u00b3mez-Pe\u00c3\u00b1a brings back his unique style of performance-activism and &#8220;theatricalizations of postcolonial theory.&#8221; In his books, as in his solo shows, he pushes the boundaries still further, exploring what&#8217;s left for artists to do in a post-9\/11 &#8220;repressive culture of censorship, paranoid nationalism&#8221; and what he terms &#8220;the mainstream bizarre.&#8221; These programs are presented in connection with El Museo&#8217;s current exhibition, Arte. Vida: Actions by Artists of the Americas, 1960-2000 and the Hemispheric Institute&#8217;s EMERGENYC program.<\/p>\n<p>AN EVENING OF SPOKEN WORD ROULETTE AND CRITICAL THEORY WITH GUILLERMO G\u00c3\u201cMEZ-PE\u00c3\u2018A<br \/>\nTuesday, April 22, 2008, 7:00 &#8211; 9:00 pm<br \/>\nNew York University<br \/>\nJurow Hall, Silver Center,<br \/>\n100 Washington Square East<br \/>\nAdmission: Free<\/p>\n<p>Guillermo G\u00c3\u00b3mez-Pe\u00c3\u00b1a will present a lecture at New York university in which he will examine the role of artists working against the backdrop of war, censorship, cultural paranoia and spiritual despair. In his lecture, G\u00c3\u00b3mez-Pe\u00c3\u00b1a will ask: What are the new roles that artists must undertake? Where are the new borders between the accepted and the forbidden? Is art still a pertinent form of inquiry and contestation? This lecture will be the inaugural public event of the institute&#8217;s EMERGENYC and Hemispheric New York programs.<\/p>\n<p>EL MEXORCIST 3: AMERICA&#8217;S MOST WANTED INNER DEMON<br \/>\nWednesday, April 23, 2008, 6:30 &#8211; 8:30 pm<br \/>\nEl Museo del Barrio<br \/>\nTeatro Heckscher, 1230 Fifth Avenue at 104th Street<br \/>\nAdmission: Free<\/p>\n<p>In this performance, G\u00c3\u00b3mez-Pe\u00c3\u00b1a assaults the demonized construction of the US\/Mexican border-a literal and symbolic zone lined with Minutemen, rising nativism, three-ply fences, globalization, and transnational identities. To this effect, the &#8220;border artist extraordinaire&#8221; uses acid Chicano humor, hybrid literary genres, multilingualism, and activist theory as subversive strategies. In this journey to the geographical and psychological outposts of Chicanismo, G\u00c3\u00b3mez-Pe\u00c3\u00b1a also reflects on identity, race, sexuality, pop culture, politics and the impact of new technologies in the post-9\/11 era.<\/p>\n<p>(Hat tip to Caridad Svich<a href=\"http:\/\/www.caridadsvich.com\/NoPassport\/nopassport.html\" title=\"caridad's\" target=\"_blank\"> NoPassport<\/a>.)<\/p>\n<p>Crossposted at <a href=\"http:\/\/www.intlculturelab.org\/blog\/\" title=\"icl blog\">International Culture Lab<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Somewhat under the radar, internationally acclaimed brujo-poeta, theorist, and performance artist Guillermo G\u00c3\u00b3mez-Pe\u00c3\u00b1a returns to New York for two evenings. The Hemispheric Institute of Performance and Politics and el Museo del Barrio present two evenings featuring Guillermo G\u00c3\u00b3mez-Pe\u00c3\u00b1a. After more than four years away from New York, G\u00c3\u00b3mez-Pe\u00c3\u00b1a brings back his unique style of performance-activism and &#8220;theatricalizations of postcolonial theory.&#8221; In his books, as in his solo shows, he pushes the boundaries still further, exploring what&#8217;s left for artists to&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/ratconference.com\/blog\/?p=117\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-117","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=117"}],"version-history":[{"count":0,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/117\/revisions"}],"wp:attachment":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}