{"id":130,"date":"2008-06-30T09:52:43","date_gmt":"2008-06-30T14:52:43","guid":{"rendered":"http:\/\/ratconference.com\/blog\/?p=130"},"modified":"2008-07-04T05:59:23","modified_gmt":"2008-07-04T10:59:23","slug":"how-theatre-failedsaved-america","status":"publish","type":"post","link":"https:\/\/ratconference.com\/blog\/?p=130","title":{"rendered":"How Theatre Failed\/Saved America"},"content":{"rendered":"<p><strong>UPDATE:<\/strong>  Teresa Eyring&#8217;s <em><a href=\"http:\/\/www.tcg.org\/publications\/at\/julyaugust08\/exec.cfm\" title=\"teresa's\" target=\"_blank\">From the Executive Director<\/a> <\/em>column is now online at the American Theatre site.  Mike Daisey has <a href=\"http:\/\/www.mikedaisey.com\/2008\/07\/response-to-how-theatre-saved-america.sht\" title=\"mike's\" target=\"_blank\">responded with a rebuttal<\/a> at his blog site.  As one of his points, he scrutinizes Ms. Eyring&#8217;s unfortunate title, the same item that had struck me as the most egregious in her piece.<\/p>\n<blockquote><p>Ms. Eyring&#8217;s title takes one&#8217;s breath away. If it were called HOW THEATRE WILL SAVE AMERICA it would still be defensible, if a bit sweeping\u00e2\u20ac\u201dit could fantasize about a nearly unimaginable future when theater will reach out from the stage and save all of America from corporate greed, the military-industrial complex, racism, sexism, and human nature itself by reshaping America.<\/p>\n<p>That&#8217;s bold. But Ms. Eyring takes it a step further and uses the past tense\u00e2\u20ac\u201dHOW THEATRE SAVED AMERICA\u00e2\u20ac\u201dinforming us that the work is done, the wars have been fought and that we actually live in a glorious utopia right now, one that has been created by the American theater. If one didn&#8217;t know better, one might think it is an attempt at wit\u00e2\u20ac\u201da shallow attempt to play off of my title for comic effect, ignoring the actual meaning implicit in the words I\u00e2\u20ac\u2122d chosen.<\/p>\n<p>It is a shockingly poor idea to make such an assertion in the title, unless the essay that follows brings some serious arguments to bear, and this is the third problem with the piece. HOW THEATRE SAVED AMERICA, PART ONE chooses to accomplish this goal not by grappling with any of the arguments in my monologue, but instead displaying examples of theaters that are working within their communities as a kind of proof positive that theater has saved America. It specifically cites one example at length, describing the work of Bloomsburg Theatre Ensemble.<\/p>\n<p>I find it reaching to claim that one company from a town of 12,000 in Pennsylvania, however wonderful they might be, contraindicates the larger story of the arts infrastructure in a country of 300 million&#8230;.<\/p>\n<p>Ms. Eyring ends her piece saying, <em>&#8220;And this is just the beginning of how theatre saved America.&#8221;<\/em> The implication is that we will see a great deal more of her argument in Part Two. I do hope that this response will make her think more judiciously about the title for the second half of this article, and I hope some of the criticisms I&#8217;ve raised may be addressed in its contents.<\/p><\/blockquote>\n<p align=\"center\">*****************\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 *****************<\/p>\n<p>In the July\/August issue of American Theatre, executive director of <a href=\"http:\/\/www.tcg.org\/\" title=\"tcg's\" target=\"_blank\">TCG<\/a>, Teresa Eyring, has written a counter argument to Mike Daisey\u00e2\u20ac\u2122s monologue <em>How Theater Failed America.<\/em> Her Pollyannaism about the state of regional theatre is probably a major part of her job description but the title of her piece, <em>How Theatre Saved America, Part 1<\/em>, rings almost as parody answer to the serious failures of regional theatre that Daisey\u00e2\u20ac\u2122s monologue brings into discussion. And she probably wishes she had heard the news of <a href=\"http:\/\/www.jeunelune.org\/news\/publishedReview.asp?articleID=170\" title=\"Theatre de la Jeune Lune's\" target=\"_blank\">Theatre de la Jeune Lune\u00e2\u20ac\u2122s closing<\/a> before the magazine went to print. On that point, I\u00e2\u20ac\u2122ll be interested if she edits this opening paragraph to her argument in the online version of the \u00e2\u20ac\u0153From The Executive Director\u00e2\u20ac\u009d page when it\u00e2\u20ac\u2122s posted tomorrow.<\/p>\n<blockquote><p>&#8220;While permanent acting ensembles are indeed a rare commodity at major U. S. theatres, typically ignored\u00e2\u20ac\u201deven by the popular monologist Mike Daisey in How Theatre Failed America, which ran Off Broadway through June 22\u00e2\u20ac\u201dis the array of ensemble companies working across the country. What about, for instance, the long standing acting collaborations of Minneapolis\u00e2\u20ac\u2122s Theatre de la Jeune Lune\u00e2\u20ac\u00a6&#8221;<\/p><\/blockquote>\n<p>For more discussion about Teresa Eyring&#8217;s column see <a href=\"http:\/\/theatreideas.blogspot.com\/2008\/06\/kudos-to-dennis-baker.html\" title=\"scott's\" target=\"_blank\">Scott&#8217;s<\/a> and <a href=\"http:\/\/dennisbaker.net\/blog\/letter-to-the-editor-of-american-theatre-magazine\/#comment-29676\" title=\"dennis'\" target=\"_blank\">Dennis&#8217; <\/a>Letters to the Editor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UPDATE: Teresa Eyring&#8217;s From the Executive Director column is now online at the American Theatre site. Mike Daisey has responded with a rebuttal at his blog site. As one of his points, he scrutinizes Ms. Eyring&#8217;s unfortunate title, the same item that had struck me as the most egregious in her piece. Ms. Eyring&#8217;s title takes one&#8217;s breath away. If it were called HOW THEATRE WILL SAVE AMERICA it would still be defensible, if a bit sweeping\u00e2\u20ac\u201dit could fantasize about&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/ratconference.com\/blog\/?p=130\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,1],"tags":[],"class_list":["post-130","post","type-post","status-publish","format-standard","hentry","category-theatre-and-culture","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=130"}],"version-history":[{"count":0,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/130\/revisions"}],"wp:attachment":[{"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ratconference.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}